Mad Men

2014 Emmy Preview: Best in Show

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Emmy Day has finally arrived. Be sure to scroll through the rest of the Emmy preview on our homepage, but now it is time to preview the big two, Outstanding Drama and Comedy Series. Genre’s have become a bit muddled in Television over the years. When the Television Academy of Arts first gave out awards it was easy to distinguish between comedy and drama, but now the lines are blurred. It is great to honor two top shows rather than just one, as the Oscars do, but in some ways it dilutes the value of the Emmys.

A best show in television Emmy in which genre is thrown out the window would bring a lot more prestige to the series that wins it. However, as exciting as that sounds, there is so much quality television on-air that narrowing it down to even ten nominees is a daunting task. Voters would also elevate Drama series over Comedy, just as the Academy Awards do with film, and many deserving comedy series would be left out in the cold. This would be a far bigger tragedy than the dilution of the current Emmys by splitting them into two categories. Let’s take a look at this year’s nominees and see how they compare to the field of the “Tommy Awards.”

Outstanding Comedy Series

Emmy Nominees: ORANGE

Orange is the New Black, Netflix (3/2) – The new kid in town, Netflix, has found a lot of success in its early years of original programming. At least we can assume based on buzz and awards, but since Netflix does not release its viewership numbers there is no definitive way to know. But no one foresaw this series about a women’s prison being its biggest creative success. The show is fresh, riveting, and funny. It has the largest ensemble cast of any comedy and the fact that it is easy to remember the backstory on all of them even when they spend several episodes offscreen speaks to how well the characterization of each one is done.

Modern Family, ABC (2/1) – The three-time defending champ has seen its odds shift from (4/1) to (2/1) in the last month, which speaks to the power this traditional sitcom has over Emmy voters. It seems improbable that it would win four straight in its first four seasons. Yes, Mad Men just accomplished this feat on the drama side, but its fourth season is the best of the series and was also a fresh new creative direction. Modern Family, on the other hand, has grown more tired and repetitive with each passing season. veep_still_-_h_-_2014

Veep, HBO (3/1) – An all-timer that works on so many levels, political satire, dysfunctional workplace comedy, terrific performances, vulgar humor, etc. It should’ve topped Modern Family last year and upped its game again this season by taking Selina Meyer out on the campaign trail in an effort to become the next President of the United States. Selina and an outrageously expensive wooden crate equals pure comedic gold.

Louie, FX (10/1) – Any show that comes so singularly from the genius mind of Louis C.K. deserves to be amongst the best shows in television. It is not always laugh out loud funny, but C.K. is such a keen observer of human nature and how we function as a society that he always has something interesting to say.

The Big Bang Theory, CBS (10/1) – It’s surprising that with all the love Emmy voters have shown Modern Family they have failed to crown this more classic and successful throwback sitcom as Best Comedy Series. It is a well executed show that delivers punchline after punchline. Not everyone’s cup of tea, but succeeds ridiculously well at what it is trying to do.

Silicon Valley, HBO (30/1) – I have to plead ignorance on this one, having only seen the pilot episode of which I was not a fan. From what people tell me the show improved markedly as the season went along. It is by far the most surprising nomination in the category, but then again given HBO’s track record of lobbying for and getting the most nominations I guess I shouldn’t be that surprised.

Tommy Nominees: 600x400_broadcity_new

Orange is the New Black

Veep

Louie

Broad City, Comedy Central – Stars Ilana Glazer and Abbi Jacobson shared my Outstanding Lead Actress award and led by their brilliance Broad City is the funniest new show of the year. It is ballsy and absurdist at times, but executes its ridiculous premises with ease. Glazer and Jacobson’s chemistry is so strong that the show could put them in any situation and mine comedy out of it.

Inside Amy Schumer, Comedy Central – Comedy Central has really come into its own the last few years and if this category was made up completely of its shows I would not take much issue with Key and Peele, the above mentioned Broad City, Review, and Nathan for You all worthy nominees. But Schumer gets the nod for the funniest sketch show on TV. A star on the rise, Schumer flips feminine stereotypes on its head and does so with unabashed brashness.

Shameless, Showtime – This is where the blurred lines of the comedy genre comes into play. Do I honor more traditional, network comedies such as Parks and Rec and Brooklyn 99? Or go with another Comedy Central sketch show such as Review or Key and Peele. Or honor the strangeness of FX with “Seinfeld on acid” It’s Always Sunny in Philadelphia, Wilfred, or Legit. All of those shows are worthy of recognition, but the last spot goes to Showtime’s Shameless. A category flipper from drama to comedy, this bold show does not fit either genre. It simply is what it is, nothing else, and what it is, is brilliant.

Best Bet: 

This is a wide open category with Silicon Valley serving as the lone “happy to be here” show. Any of the other five have a decent shot at winning. It feels like a good category to take a long shot. Modern Family fatigue seems very legit this year and the chances of four-peating feel a lot slimmer than (2/1). Emmy voters may not be ready to honor less traditional shows, such as OITNB and Louie. HBO’s track record in comedy is less successful than the drama side, eliminating Veep and Silicon Valley. This leaves Big Bang Theory at (10/1). Emmy voters may feel more comfortable voting for something more traditional as well as honoring far and away the biggest scripted hit on television.

And the Tommy Goes to…

Veep. The best comedy on television. It works on so many levels. While Broad City and Inside Amy Schumer made me laugh harder, no comedy left me more satisfied than Veep. Tremendous writing for a powerful lead performance with a splendid supporting cast around her. Veep has it all, including the honor of taking home the Tommy.

And the Emmy Goes to…

Orange is the New Black. The only thing I’m sure of is that Modern Family will fall. It is a wide open field behind it, but tonight just feels like a coronation of Orange is the New Black. The only thing that might prevent it from dominating is that the entire second season, which is not eligible till next year, has been watched by voters and is better than the first. Perhaps this makes them hesitate and wait till next year to crown it, but I’m banking on it only improving its chances this year.

 

Outstanding Drama Series

Emmy Nominees: 301px-BBS5

Breaking Bad, AMC (1/5) – Let’s remove the suspense, Breaking Bad should and will win this award. There is no one else to bet on and no case to be made for any other show. Yes, True Detective was fascinating and the performances from its two leads made it riveting. Game of Thrones is a true splendor to watch and more than deserving of a win in any other year. The only knock against Breaking Bad is the split season format in which AMC aired it. I’m not a big fan of this “split season” format as it is only used to cut down costs since everyone involved gets pay raises in each new season. It is obviously a terrific business plan as it saves money, increases streaming viewing of previous seasons, and led to a finale audience of over 10 million people.

But there should be a creative consequence in that the show cannot be eligible for awards until the entire season is completed. Last year, the first eight episodes were not nearly as deserving of the win, but when combined with these final 8 to form the complete 16 episode season then Breaking Bad becomes an even bigger favorite. It is the same reason why Mad Men shouldn’t be nominated this year for the first 7 episodes of its final season. A Mad Men season has a certain rhythm to it as it builds upon each previous episode to a satisfying conclusion. By splitting the season in half AMC has disrupted that rhythm and the seventh season of Mad Men is not complete, which is why it joins Downton Abbey and House of Cards on my undeserving nominees list.

Tommy Nominees: 

Breaking Bad, AMC – The Champ, plain and simple.

True Detective, HBO – Admire the balls on HBO for submitting in the drama series category instead of miniseries in which it would’ve most likely won, but Fargo would make it closer than expected. It will forever be remembered in the history of television thanks to the brilliance of McConnaughey and Woody.

Game of Thrones, HBO – A grand Hollywood epic that airs 10 weeks a year on our TV screens. Tied with Breaking Bad as far as entertainment value and deserves this award at some point in its run.

Boardwalk Empire, HBO – The best example of a novel format on TV. The whole of each season is more satisfying than each individual episode. The execution is simply remarkable.

Orphan Black, BBC America – All conversation about Orphan Black starts with Tatiana Maslany’s performance, as well it should, but behind that performance is the best thriller on television. The action packed thrills combined with the heart that Maslany’s performance brings makes this the most enjoyable show to watch.

The Good Wife, CBS – Grading a bit on a curve for this nominee, but The Good Wife continues to provide an example of the advantages to network television, the biggest being the extra episodes, 22 compared to 8, 8, 10, 12, and 10 from the other Tommy nominees respectively. While most other network shows view this as a burden, Good Wife sees it as an opportunity for more character study.

The Champ Says Goodbye

Back to tonight’s winner. Breaking Bad leaves an indelible mark on the television landscape and it will forever be debated amongst the best show’s of all time. As much as I’m against split season’s getting nominated twice, this show and especially this final season deserves at least two Emmys for all it has accomplished. Vince Gilligan is a television genius and the premise behind this series may never be topped, but the execution of the brilliant premise is what makes this an all-time great.

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2014 Emmy Preview: The McConaissance vs The One Who Knocks

Yesterday we went over the stupidity of Tatiana Maslany not getting nominated despite giving far and away the best performance on television. Her male counterparts do not suffer from such an egregious snub. Yes, Jeff Daniels and Kevin Spacey have no business being nominated, but the formidable foursome of Jon Hamm, Bryan Cranston, Matthew McConaughey, and Woody Harrelson are all there. Since no one outside of these four actors deserve to win the Emmy it is hard to get too upset over snubs, but I’ll try anyways.

Undeserving Nominees

Then put an end to your performance, Frank.

Then put an end to your performance, Frank.

 

Kevin Spacey, “House of Cards” – Oh man, look at that Kevin Spacey as Frank Underwood manipulative and cunning with his grand monologues direct to camera. Is there no end to his brilliance? Spacey’s campy, over-the-top, scene chewing performance would be highly entertaining on a Funny or Die video or maybe even a feature film, but over the course of a 13 episode season it is just grating. A lead character doesn’t need to be likable, but he should be at least interesting and multidimensional, ala Tony Soprano. Underwood is a cartoon villain in the flesh. Just like House of Cards is a 80s primetime soap opera masquerading as quality television, Spacey is delivering an annoying, over-the-top performance that dupes everyone into believing it is brilliant. Tone things down and find some humanity in the character, Kevin, and oh yeah, learn how to throw a fucking baseball.

Jeff Daniels, “Newsroom” – Daniels is not undeserving because of his performance. In fact it is a great acting job considering Aaron Sorkin’s writing lends itself to falling down the same overacting well that Spacey did. He’s undeserving of nomination simply because he stole the award last year over far more deserving performers, top of the list being six, now seven, time nominee and zero time winner, Hamm as Don Draper. It would be perfectly acceptable for Daniels to take the sixth spot in this category every year. A nice face to pop up at the show, but to actually win the damn thing is unacceptable.

Snubs

Michael Sheen, “Masters of Sex” – Sheen is a brilliant actor able to slip into the skin of an array of characters with ease. He does it again as the cold, calculating, sex research pioneer, Dr. William Masters. Sheen brings out the humanity in this cold scientific man, especially in scenes he shares with the equally brilliant Lizzy Caplan. It is not a showy role, but rather reserved and complicated one, which is more difficult to pull off effectively. An actor of Sheen’s brilliance playing the complicated role of a real life figure is more than deserving of a nomination.

Hugh Dancy, “Hannibal” – It is rare for a broadcast network lead to break into this category with all the powerful male characters on cable these days, but Dancy’s Will Graham belongs in the conversation with his cable counterparts. It is the quieter role of the two leads on this psychological thriller, but with his arc of getting arrested and constantly having to deal with his own fragile psyche Dancy pulls off a memorable performance deserving of more recognition.

Best Bets

There are only two people to bet on in this category since only two people have any chance of winning, McConaughey and Cranston. It comes down to odds, McConaughey at (4/9) or Cranston at (3/1). Any time a former three time winner with a submission episode that was the best episode of television last year has (3/1) odds, you have to take it.

Should Win

Could Don slow dance his way to Emmy gold? Unfortunately not.

Could Don slow dance his way to Emmy gold? Unfortunately not.

 

Breaking my own rule of only considering the current season in which their eligible, but only slightly because he was still absolutely brilliant, Jon Hamm is the most deserving actor in this category. Don Draper and Walter White are pantheon characters in the history of television and will always be linked together since they appeared on our screens over the same time period. Cranston is absolutely incredible and the journey he took from High School Chemistry teacher to Drug Kingpin was unlike any ever seen before on TV. However, Hamm’s performance as Don Draper is slightly more impressive.

The character beats of Walter White are easier to see as the plot directs the changes in his attitude. Cranston nails all of these, but it becomes a showier performance thanks to the extreme change in White. Draper is a more muddled character, by design, and therefore more difficult to nail down. Yet Hamm knocks it out of the park. While he never gets badass lines to say like “I am the one who knocks,” or “Now, say my name,” he is able to floor me with the slightest facial movements that speak volumes.

There is no chance that Hamm wins it this year, making it seven nominations in a row without a win, and leaving him next year as his last chance. It should be his best one as Cranston, McConaughey, and Harrelson will all be ineligible, but it seemed like last year was his year and Daniels swiped it away, so with that luck Kevin Spacey will probably take home the gold next year.

Will Win

As I mentioned earlier, this is a two horse race. Let’s take a look at the case for and against each actor. Walter-White-I-Am-The-One-Who-Knocks-Breaking-Bad

Bryan Cranston: 

In His Favor – A three time winner nominated for the final episodes of an iconic television character. He has the best submission episode in ‘Ozymandias,’ which is sure to grab voters attention. There is a ground swell of Breaking Bad support as voters seem intent on honoring the show as much as possible on its way out. Cranston is also a very well-liked actor that has waited a long time to get this kind of recognition for his work.

Working Against Him – A three time winner nominated for the final episodes of an iconic television character. Where have I seen this before? The late, great James Gandolfini won three straight Emmy awards, three straight that he was eligible for as the long break between seasons meant a year with no Sopranos, for seasons 2-4 only to never win another for his last three years of being eligible including losing to James Spader in the final season. The parallels are very similar between these two and voters may decide again that three Emmys is enough recognition for this iconic character. Also, Cranston may be beloved, but he does not have the cache of McConaughey coming off an Academy Award as well.

Matthew McConaughey: tumblr_n22t898ntl1tumz3so1_1280

In His Favor – An Academy Award winning actor being eligible for an Emmy in the same year? This just does not happen in the world of television. Voters are sure to be thrilled that a movie star of this caliber chose to “slum it” on TV, even if only for 8 episodes on HBO. It was also a fascinating character in which he had to play three different incarnations of in a show that covered 20 years of time. It is a both showy and reserved role, which speaks to its brilliance. The mystery crime elements of True Detective never fully came together, but no one cared cause the real pleasure of the show came from watching McConaughey and Harrelson work together. And while Harrelson still does not get enough credit for his performance, there is no denying the McConaughey was truly something special to watch for 8 weeks at the beginning of this year. Plus everyone wants to see another McConaughey speech on Monday night.

Working Against Him – Perhaps voters are turned off by this outsider masquerading as a TV star for only 8 episodes and instead honor one of their own. There also may be some McConaughey fatigue at this point considering he spent the winter racking up award after award. True Detective has also been receiving some backlash since Nic Pizzolato has opened his mouth and given interviews. This might hurt the show’s chances to rack up as many awards as possible and McConaughey could get pulled under as well.

Prediction: 

The McConaissance continues. It is just impossible to imagine voters not voting for him. He just has far too much momentum and with three Emmys already on his shelf no one feels the pressure to give Cranston any more.

My Perfect Sunday

One major change I’ve noticed in my post-college life is my favorite day of the week. Back in elementary and high school it was Friday, the standard flashy pick. Back then it was a day to slack off in class, hang out with your buddies, play video games and order pizza, and then eventually to grab a 30 rack and hang out in the park till we heard about a party that night. It was a great, exciting release from the boredom of the school week.

In college, it was a tie between Thursday and Saturday. The school week was less boring and monotonous, so Fridays lost some appeal. Thursday nights became the biggest party night of the week. The bars always had the best deals and people either didn’t have class on Fridays or didn’t care enough to show up. Then Saturdays always brought the best day parties, whether tailgating in the fall or making up for the lack of tailgating by throwing the biggest ragers in the spring, Saturdays always brought something big to the table.

However, my new favorite day of the week has appropriately landed on the day of rest, Sundays. I used to dread Sundays as a kid. Between dressing up in uncomfortable clothes, to sit on uncomfortable wooden pews, and listen to a man that made me feel uncomfortable for an hour and the reminder that the weekend is over, Sundays sucked. Nowadays I’m too tired from the work week to make Fridays truly count on a weekly basis and while Saturdays bring a fair share of day parties/brunches it does not bring the same level of joy as Sundays.

What was once Sunday’s weakness, being the end of the weekend and beginning of another week, is now its strength. I appreciate Sundays because it is my last chance to enjoy the weekend before another monotonous week begins. It brings higher stakes to everything that I do. Do I want to release some more steam before I go back to work? Then it is time for a boozy brunch and swing by my favorite beach bar, Big Dean’s. Do I have more errands I need to run? Well, let me think about if it will improve my life in a significant way, otherwise I’m not going to waste my Sunday. I could get some extra activities in, play tennis, golf, go for a run, hit the beach for some volleyball, or pump some iron on the Bowflex in the garage.

Sundays make me think about what is important to me and make sure I accomplish that before the weekend is over, even if that means accomplishing sitting on my couch doing nothing while I catch up on all the TV I missed during the week. Speaking of TV, Sunday has the best of the whole week. Between 10 straight hours of non-stop football in the fall and prestigious cable television at night, Sunday TV brings it all year round. And at this moment is my perfect Sunday TV lineup.

Currently playing on Sunday nights is my most exciting show on Television, Game of Thrones. As thrilling as it was to watch Walter White cook his last batch of crystal blue persuasion and as mesmerizing as Harrellson and McConoughey were for the 8 week stretch of True Detective, no show matches Thrones as far as thrills. It’s really unfair to compare it to any other show because it is at such a higher scale. There is a vast number of characters that are intertwined in a complicated plot that I have no idea where it is heading. The anticipation of what is going to happen next and how everything is going to come crashing together seals it as the most exciting show on television.

Also playing on HBO on Sundays is my current top comedy on television, Veep. Certain shows may give me bigger laughs, but none is more consistently enjoyable. Julia Louis Dreyfus is his a Grand Slam week in and week out. I never would’ve bet on her creating a more iconic character that Elaine Benes, but as far as I’m concerned she has done it. Dreyfus is first ballot TV Hall of Famer and it is a pleasure to watch her work week in and week out and Veep would be great if it were just her surrounded by a crap cast, but luckily for TV viewers the cast around her more than holds their own. “My Girl” Anna Chumsky wipes away all traces of her child stardom by playing the constantly bitter Amy Brookheimer. Speaking of breaking away from past characters, despite playing another character with attachment issues Tony Hale’s Gary Walsh is nothing like Buster Bluth. Phenomenal blogger and big time Chicago Bears’ fan Matt Walsh is pitch perfect as sad sack Media Specialist, Mike McClintock. And Timothy Simons Jonah Ryan is the comedic gift that keeps on giving.

Rounding out my Sunday lineup is my favorite show on television, Mad Men. It may not be the most exciting show or the funniest, but there is no show that is more of a pleasure to watch. Don Draper is the most fascinating character to grace television screens since Tony Soprano ordered onion rings for the table. Last week I talked about what I want to be when I grow, the focal point of everyone’s life. Don has that same desire, which is why he constantly reinvents himself. He’s searching for what will get him the attention and praise that he so covets.

It is a shame that Jon Hamm will most likely never win an Emmy for this role. He is up against the stiffest competition in Male Lead Actor Drama Series history. The winners since Hamm became eligible, Bryan Cranston (2008-2010), Kyle Chandler (2011), Damian Lewis (2012), and Jeff Bridges (2013). Cranston’s Walter White will most likely be the more remembered character in the annals of TV History, but Hamm’s performance is more impressive. He brings so many layers and can deliver a well of emotion with a subtle look.

People like to throw around the term, slow, when referring to Mad Men, but what that really means is that the plot movements linger in order to delve into how it affects each character. Rather than ripping through plot developments, Mad Men lets its characters breathe. It allows the audience to gain a greater understanding of each’s thoughts, feelings, and emotions, which is a good because these characters are all complicated and none is very easy to understand. I know that I’m in the minority, but I’d gladly do away with thrills in order to get more three dimensional human characters rather than vessels for dramatic, action packed events.

Mad Men is the perfect cherry to my current ice cream “Sunday” of a lineup.

Women I Love

Linda Cardellini Linda C

After skipping a week of devoting an article to one of the many women I love, I’m bringing the heat with Ms.Cardellini. Now that Billy has given up writing to his one true love, it is essential I stay strong and continue to express my devotion. Cardellini is a first ballot hall of famer in my heart. She earned the status back in 1998 when she had a guest stint on Boy Meets World. As a 90s kid there was no better couple than Cory and Topanga. They were the people who introduced me to the idea of love. A symbol for hopeless romantics, anyone who came in the way of their love would be instantly despised and petitioned to be stoned to death. Or so I thought, until Cardellini’s Lauren turned my world upside down. She played a snow bunny who worked at the ski resort John Adams High was having their senior trip. Not sure how this trip ever got approved by Feeny. I’m terrible at skiing, but Lauren made me want to move to the mountains. Cory had a broken leg and could not go ski with his classmates, which left him alone with Lauren for most of the day. As they grew closer I wanted to scream at Cor, “Noooooooo!!!!! Don’t disrespect Topanga. Instead, I was mesmerized by Cardellini and found myself rooting for Cory to pick her. It was a confusing time.

Topanga Who?

Topanga Who?

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After Boy Meets World and because of her successful guest stint, Cardellini was cast as the lead in the short-lived and much beloved Freaks and Geeks. The show is remembered for launching the careers of James Franco, Seth Rogen, and Jason Segal. As well as expanding the legendary standing of Judd Apatow in the patheons of Hollywood. But the heart of the show was Cardellini. The role of Lindsay weir allowed her to demonstrate her likability. Lindsay was a girl without a set clique. She never fit into a set category, she was too smart and driven to be one of the freaks, but too adventurous and rebellious to be a geek. Cardellini made us care deeply about the character as she navigated the dangerous waters of high school. Just look at how badass she is in the opening scene of the series.

While she mainly played the straight woman reacting to everything around her the show also did well to utilize her fantastic comedic sense as well.

After Freaks and Geeks Cardellini’s career stalled a bit when she chose to join the sinking ship that was ER. She got lost in the large ensemble and it did not highlight any of her strengths. However, the shittiness of ER did not detract from her hotness and awesomeness.

lc

Let’s skip passed the unfortunate fact that she played Velma on the live action Scooby-Doo and hit the next career highlight, Grandma’s Boy. She shocked me by being just as hot, if not hotter as a blonde. And in an underrated raunchy comedy, stole the show.

She went a little quiet after Grandma’s Boy, but has been back the last couple years with a sexy turn as Don Draper’s latest mistress and now as Jess’ sister on New Girl. If there is a God, then this recent hot streak will result in her getting the lead of her own series within the next year. Lord knows she deserves. I’m not completely sure why Judd Apatow has never used her in any of the films he’s produced over the last decade, but it would be great if he could redeem himself by producing a star vehicle for Cardellini. Make things right, Judd. I think you’ve cast your wife enough times to get you laid for the rest of your life.

The Women I Love

It would be easy to smile with her around.

It would be easy to smile with her around.

Caity Lotz

Billy continues to do a tremendous job of professing his love to the one woman of his dreams. It inspires me to continue to express mine to thousands of loves of my life.

I first fell in love with Caity Lotz when I saw her do a guest spot on Mad Men. Season four, the best season, episode two, Don stops in Los Angeles to see the original Mrs. Draper. As a bonus her super hot niece, Stephanie, stopped by and hit the town with Anna and Don. Lotz looked spectacular, the perfect California blonde. The Beach Boys would’ve changed their song to “I Wish They All Could Be Caity Lotz.”

The perfect California beauty of the 1960s

The perfect California beauty of the 1960s

Now, this was during the Don Draper drinks himself into a stupor season and on the way down to rock bottom the show had him make a move on young Stephanie. A pretty despicable move considering how much Anna meant to him and how young she was at the time. Most fans were disgusted by the action, but I wasn’t, not in the least bit. She was far too hot that I would’ve been offended if he didn’t make a move. In fact of all the women Don has ever interacted with I would want Stephanie to be the one he rides off into the sunset with at the end of the series.

Alas, it was a fleeting love. Lotz only appeared in that episode with a couple of cameo appearances sprinkled throughout the season. I thought that she was lost to me forever. But destiny has a way of rearing it’s beautiful head at the most opportune moment. Lotz came back to me last fall on one of my new favorite shows, Arrow.

As if it wasn’t joy enough just to have her back on my TV, but this time she got to play a kick ass vigilante, Black Canary. Nothing is sexier than a woman than an incredibly hot women who is also strong enough to kick anyone’s ass. Instead of simply being the personification of Dan Wilson’s dreams, she gets to do this kind of stuff.

tumblr_n0kadl7S9O1qzukcpo3_400tumblr_mvznz8Sbza1sloj7qo3_250

She is a huge part of improving Arrow’s second season. Yes, part of it is just getting to look at her each week, but she brings a lot of charisma and pathos to her role. It is impossible to not care about her and the character she plays. Lotz has both a kick-ass physique and a sweet, beautiful face, which emotes both a strong independent woman and a damsel in distress. This is a deadly combination. You can’t decide if you need to save her or stand back to watch her kick some serious ass. She has the power to draw a man, or woman, in and keep them mesmerized.

Who wouldn't want to wake up to that?

Who wouldn’t want to wake up to that?

I hope for the sack of humanity that Caity becomes a huge international star, but selfishly I hope she just keeps getting cast in shows that I like. She is my small independent band, I recognize that she has the immense talent for the big time, but I want her to be my secret and a dirty little one at that.

**Update** Big news. Not sure how I’m just learning about this now, but Billy has actually met Caity Lotz when he worked at Preferred Content. He was Ross Dinerstein’s, founder and head honco, assistant and the first big movie they produced was The Pact starring, the one and only, Caity Lotz. Needless to say my mind is blown and I know what I will be watching this weekend.

Speaking of dirty, this next material is slightly NSFW, so precede with caution.

Now, that is just unfair.

Now, that is just unfair.

Speaking of dirty, watch this next video with caution as it is slightly NSFW.